Is Daniel Libeskind’s Jewish Museum in Berlin the best example of Deconstructivism in the world? This zig-zagging structure, clad in thin zinc sheeting punctuated by windows in shapes meant to recall wounds and scars, houses two millennia of German Jewish history. It sits upon a space once occupied by the Berlin Wall, and butts up to an 18th century appeals court which is also part of the museum. Its shape is said to be inspired by a warped Star of David, and its jaggedness is likened to the human condition. A huge void cuts through the form of the museum, symbolizing the absence left by the thousands of Berliners who were killed or deported in the Holocaust.
Says the architect, “I believe that this project joins architecture to questions that are now relevant to all humanity. To this end, I have sought to create a new Architecture for a time which would reflect an understanding of history, a new understanding of Museums and a new realization of the relationship between program and architectural space. Therefore this Museum is not only a response to a particular program, but an emblem of Hope.”
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